“An Eastern European Ridley Scott… the commentary that is cultural of oeuvre is universalist… their future is our now.” – Ela Bittencourt
“The Polish ‘cinema of anxiety’ soars from this globe within the work of Piotr Szulkin… the movies thrive on imaginative eyesight and sociological absurdity.” – Steve Dollar, Wall Street Journal
Movie at Lincoln Center is happy to announce Sci-Fi Visionary: Piotr Szulkin, a retrospective celebrating one of Poland’s most revolutionary filmmakers, September 6-8.
A manager, screenwriter, novelist, theatrical manager, and painter, Piotr Szulkin frequently encountered censorship through the Polish Communist regime regarding the belated ’70s and very early ’80s for their unabashedly governmental works. Szulkin’s profoundly imaginative movies can be considered as existential stories, absurdist parables, or premonitions about contemporary society’s hostility while the evils of totalitarianism. Drawing from 20th-century philosophy and Polish literature that is medieval speculative fiction, noir, and grotesque allegories, Szulkin masterfully wielded the shoestring budgets afforded him to produce shockingly iconoclastic technology fiction movies. Referred to as “the undiscovered Fritz Lang of 1980s Mitteleuropa” (Michal Oleszczyk, RogerEbert.com), Szulkin made movies which were seldom seen outside of their indigenous Poland but which continue steadily to resonate with chilling truths about humankind, drawing eerily prescient parallels to the present global governmental weather.
Among the largest retrospectives of their work up to now, Sci-Fi Visionary: Piotr Szulkin offers an array of brand brand new restorations that are digital brought in movie images. The show showcases each of Szulkin’s features, including their audacious cult classic Golem , usually considered a precursor to Blade Runner ; The War for the Worlds: Next Century, a reimagining associated with H.G. Wells novel as well as an indictment of mass media’s impact on civilians; O-Bi, O-Ba: the finish of Civilization , which follows the residual survivors of a nuclear apocalypse because they watch for a mythical Ark to truly save them from their serious situation; Szulkin’s research of feminine sex into the increasingly delirious and erotic Femina ; the dadaist Ga, Ga: Glory to Heroes , which follows a prisoner aboard a penitentiary spaceship as he is delivered for a objective up to a authorities state hell earth; and Szulkin’s last movie, King Ubu , on the basis of the 19th-century Albert Jarry play, a brutal commentary on contemporary Poland in the aftermath for the Communism Szulkin criticized throughout their job. Also, the retrospective will emphasize Szulkin’s quick movie work, like the folklore-inspired morality play Dziewce z ciortem and also the documentary Working Women .
Presented in collaboration because of the Polish Cultural Institute ny.
Arranged by Florence Almozini and Tyler Wilson.
Tickets carry on sale Thursday, August 15 and generally are $15; $12 for pupils, seniors (62+), and people with disabilities; and ten dollars for movie at Lincoln Center people. Save because of the purchase of three seats or maybe more.
Acknowledgments: Polish Cultural Institute Nyc; Daniel Bird
FILMS & DESCRIPTIONS All tests occur during the Walter Reade Theater (165 western 65th Street) unless otherwise noted.
Femina Poland, 1991, 35mm, 84m Polish with English subtitles After her husband leaves for a prolonged company trip and her mom dies, a coolly detached, bourgeois housewife (Hanna Dunowska) embarks on an outre carnal odyssey looking for intimate satisfaction, leading her into increasingly deranged, sinister realms as memories from fever-dream seductions to her childhood mingle. Equal components coming-of-age nightmare, softcore satire, and surrealist cantata, Szulkin’s delirious erotic fantasia unfurls in a nonstop rush of indelibly uncanny images—from a free-floating apparition of a lusty Joseph Stalin to a set of shockingly randy puppets—as it savages faith, hawaii, while the notion of the nuclear household.
Preceded by: New electronic renovation Working Women / Kobiety pracujace Poland, 1978, 6m U.S. Premiere Stylized with dramatic interiors and a distorted framework price, this very early documentary miniature from Szulkin illustrates six sequences of solitary, repetitious work. Saturday, September 7, 4:30pm Sunday, September 8, 8:00pm
Ga, Ga: Glory to Heroes / Ga, Ga – Chwala bohaterom Poland, 1986, 35mm, 84m Polish with English subtitles Resistance is useless in Szulkin’s stunningly nihilistic dystopian satire. In the next where life in the world happens to be therefore wonderful that only prisoners are utilized for the high-risk company of area research, poker-faced intergalactic inmate Scope (Daniel Olbrychski) is delivered for a apparently condemned objective to an uncharted earth. Upon their arrival, he discovers some sort of curiously such as a dilapidated, postapocalyptic world, where he could be welcomed because of the population as being a “hero,” an ignominious honor, he quickly learns, that accompany a most fate that is barbaric. Using the film’s title that is appropriately nonsensical the babble of his child child, Szulkin delivers a bleakly acerbic commentary from the absurdity of life in an authorities state. Friday, September 6, 4:30pm Saturday, September 7, 8:30pm
brand New restoration that is digital Poland, 1980, 92m Polish with English subtitles in certain dystopian future, boffins make an effort to produce an innovative new, flexible competition of people. an apparently ordinary product associated with the work, the genetically engineered Pernat (Marek Walczewski) is susceptible to round-the-clock monitoring as he goes about their life amidst drab Soviet bloc architecture. Szulkin’s bold feature first, styled in sepia tones and dramatic illumination, happens to be called a precursor to Blade Runner , but its title additionally appears back again to an even more ancient misconception of creation and morality.
Preceded by: brand brand New restoration that is digital Gal together with Fiend / Dziewce z ciortem Poland, 1976, 14m Polish with English subtitles U.S. Premiere Szulkin stages a morality play of a sinful woman’s encounter utilizing the devil, set into the Polish ballad of the identical title and imbued with folkloric imagery. Friday, September 6, 6:30pm Saturday, September 7, 2:00pm
New restoration that is digital Ubu / Ubu krol Poland, 2003, 90m Polish with English subtitles U.S. Premiere According to Alfred Jarry’s late 19th-century, proto-Dada political satire Ubu Roi bestbrides.org/asian-brides, Szulkin’s last movie can be a crazy, carnivalesque commentary on post-Communist Poland for which drunken degenerate Ubu (Jan Peszek) seizes control of the monarchy in a supposedly “democratic” takeover (his signature policy: universal free alcohol) and then institute their own absurdist, tragicomic reign of terror. Upgrading Jarry’s iconoclastic eyesight with a brand new dosage of dark, post-Soviet cynicism, King Ubu is an incendiary summative statement from an musician whom devoted his career to lobbing grenades in the equipment of totalitarian governmental corruption. Sunday, September 8, 6:00pm
Brand New restoration that is digital, O-Ba: The End of Civilization / O-bi, O-ba – Koniec cywilizacji Poland, 1985, 88m Polish with English subtitles What stays of mankind post–nuclear apocalypse is restricted to a squalid underground bunker where survivors toil desperately to uphold the past vestiges of civilization. These are typically spurred in by their fervent belief in a fabled Ark that may deliver them from their residing hell—a misconception propagated by the powers that be, and distribute, to some extent, by the increasingly disillusioned smooth (Jerzy Stuhr) as he tries to push away total collapse. Involved in an expressionistically grimy, grey- and blue-toned palette, Szulkin crafts a shattering existential parable concerning the false claims of politics and faith that plays down like a Sisyphean journey into madness. Saturday, September 7, 6:30pm Sunday, September 8, 4:00pm
brand brand New electronic renovation The War for the Worlds: Next Century / Wojna swiatow – nastepne stulecie Poland, 1981, 96m Polish with English subtitles aimed at both H. G. Wells and Orson Welles, Szulkin’s followup to Golem starts using the Christmastime takeover of Poland with a band of hyperintelligent, bloodthirsty martians (played by silver-painted dwarfs in puffer jackets) who enlist hapless television newscaster Iron Idem (Roman Wilhelmi) because the vocals of these 1984 -esque propaganda device. But once Iron dares to set off message, he makes an enemy also higher than the aliens: the state it self. Released in the same way Poland was being plunged into martial legislation and straight away prohibited, The War of this Worlds: Next Century is a disturbingly prescient allegory of energy, control, and news manipulation in a post-truth globe. Friday, September 6, 9:00pm Sunday, September 8, 2:00pm